When Throbbing Gristle started, their intentions were to fight against cultural industry, attacking all morality and hypocrisy. Genesis P-Orridge, a trans herself, shown us it is possible to make music as a resistance act against normalization, religious shitty morality and against fascism, using its shocking values as an aesthetic for criticism.
So, why do you play noise music to propagate fascist ideology? Why do you play noise music to repeat the common sense? Why do you celebrate sexist values? Why do you bother us with your filthy values of hatred? Why do you insist on mock important movements as feminism, black people's pride, anti-homophobia, anti-transphobia or any kind that fights for the right to a free existence?
I don't care your aesthetics, I don't care your fascist ideals, because your right wing noise must be destroyed!
The latest from Terence Hannum's anti-fascist power electronics project uses claustrophobic noise to evocative, visceral ends. Bandcamp New & Notable Feb 6, 2019
"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape. Bandcamp Album of the Day Mar 6, 2020